Sculptural and rhythmic, the Belvedere collection—comprising mirrors and storage units—unfolds as a sequence of volumes, juxtaposed and staggered, capable of establishing an architectural presence within the space, creating a calibrated interplay of reflections and opacity.

The result is an object that shifts with light and with the gaze, returning images that are never static.

The name Belvedere does not refer to a simple viewpoint, but to a construction of vision: a composition that fragments and recomposes the image, offering multiple and simultaneous perspectives.

Perception is never frontal or univocal, but articulated through planes, reflections, and depth.